This review considers how the poems capture mist, rain and sudden sunlight, offering consolation to anyone who walks and reads outdoors.
Fell walkers know British weather better than most. We check the cloud base before we lace our boots. We carry a map case and a spare layer even when the forecast promises sunshine. So a poetry collection devoted to mist, rain and sudden sunlight feels less like a niche interest and more like a natural addition to the rucksack. Weather in the Hills does exactly that: it captures the shifting moods of our uplands with an accuracy that will make you reach for your waterproofs and your reading glasses in the same breath. This review considers how the poems work on the page and on the path, offering consolation to anyone who walks and reads outdoors.
Too many poets treat weather as a backdrop. Here, it is a character. A poem about mist does not simply describe grey vapour; it shows how mist clings to your coat like a wet dog and swallows the path twenty yards ahead. Rain is not a metaphor for sadness but a physical fact: it taps on your hood, gathers in the creases of your map, and makes the stones slick underfoot. Then comes the sudden sunlight, and the collection earns its title. One poem describes the moment a cloud breaks over a ridge, and the hillside shifts from slate to gold in the time it takes to breathe. These are not decorative lines. They are observations from someone who has stood in the clag and waited.
Reading outdoors demands practical choices. This collection is slim enough to slip into a map case or a zipped chest pocket. The poems are short, most under a page, so you can read one at a summit cairn without your hands turning numb. I have found it best to read a single poem at a rest stop: after a steep pull, before the descent. The collection is arranged by weather rather than by location, which makes it easy to match your mood and the sky. There is a section for drizzle, one for hill fog, one for those bright, cold days when the views stretch to the sea. Do not read it all at once. Let each poem settle like a change in the wind.
The landscapes here are recognisably British. You will find the Lake District’s volcanic ridges, the Pennine peat bogs, the slate quarries of Snowdonia, and the long, whaleback hills of the Scottish Highlands. One poem names a col between two fells; another describes the particular squelch of a path after three days of rain. The rhythms often mimic walking itself: a steady iambic pace, then a stumble, then a pause to look back. The hills are not scenery; they are co-authors. This is a collection that understands the burn in your calves, the wind that shoves you sideways on an exposed ridge, and the strange intimacy of sharing a bothy with strangers while the rain hammers the roof.
What makes these poems consoling is their honesty. They do not pretend that rain is refreshing or that mist is mystical. They acknowledge discomfort, then find something else: a moment of beauty, a shared laugh, a quiet acceptance. For the solo walker, this is valuable company. For the reader stuck indoors with a dodgy knee, the poems bring the hills close without pretending that everything is fine. One piece about a washed-out day ends not with a rainbow but with the simple fact of being warm and dry later. That is consolation without false cheer. It reminds us that weather is not an obstacle to the walk; it is the walk.
Who should buy this collection? Anyone who owns a pair of fell boots and a favourite armchair. It suits the walker who reads a poem before checking the forecast, and the reader who dreams of hills from a bus window. Practically, choose the paperback edition over the hardback; every gram counts on a long ascent. Keep it beside your OS map and your compass, not on a coffee table. Read one poem after a wet walk, and you will find the day reordered into something worth remembering. This is a collection that earns its place in the rucksack pocket. It celebrates our weather not despite its changeability, but because of it.
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Matthew Kuhnemann
8/2/2024
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